Archibald Knox

on Friday, 18 November 2011.

ak In our November 19 Antique and Fine Arts Auction we will be offering a Liberty & Co. "Cymric" sterling spoon likely designed by the noted Manx artist Archibald Knox.  The spoon commemorates the Coronation of Edward VII with a Birmingham date mark for 1901 and is marked L & Co. Cymric.  The round bowl and handle end have openwork Celtic knot designs and the bowl has a crown over the letters AC, over E.R. VII.  The spoon is 6 1/2" long, 2.6 standard or 2.37 troy oz and has a $500-800 auction estimate.

Archibald Knox was an exceptionally talented Art Nouveau designer who created numerous items for Liberty & Co.  His fluid, beautifully organic designs reflect his fascination with ancient Celtic patterns.  Born on the Isle of Man in the Irish Sea, Knox's interest in the Celtic and Norse carved crosses still scattered on the island was nurtured by the archaeologist headmaster of his school.  Knox went on to publish and illustrate several articles about the crosses, including "Ancient Crosses in the Isle of Man" and "The Isle of Man as a Sketching Ground."

In 1897 Knox left the island to begin teaching at the Redhill School of Art in London as well as produce designs for the Silver Studio.  According to the Archibald Knox Society, around 1899/1900 the Silver Studio sold Knox's "Cymric" and "Tudric" metalwork designs to Liberty & Co. where they were produced under Liberty's name.  In 1900 Knox returned to the Isle of Man but the connections he'd forged at Liberty & Co. allowed him to produce over 400 designs for the company (seventeen years later the Liberty family commissioned him to design a gravestone for company founder Arthur L. Liberty).  He returned to London to teach between 1904 until 1912, when a conflict with school administrators caused him to resign and dump a group of his original drawings in the trash.  Knox left the school and traveled to America in search of new opportunities.  His devoted students also resigned the school, fished his drawings out of the trash, and founded the Knox Guild of Design and Craft, which remained in operation until 1937.

In 1913 Knox returned to the Isle of Man where he remained working and teaching for the rest of his life. 

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Hermès Scarves

on Wednesday, 16 November 2011.

thumbs 61539 view 06 In our November 19th Antique and Fine Arts Auction we will be offering a wonderful selection of eight vintage Hermès scarves.  The first Hermès scarf was introduced in 1928.  A scarf factory was built in 1937 in Lyon, France where Hermès workers spun raw Chinese silk and wove it into thick fabric that would be screen-printed with colors from an array of over 200,000 vegetable dyes.  Each color required a month to dry after application.  Hermès scarves grew to attain status as a coveted fashion accessory favored by stars such as Grace Kelly and Audrey Hepburn.  Two new scarf collections are manufactured each year and the scarves remain one of the company's most popular products.  Over 2,500 designs have been created since 1937, many featuring equestrian themes.  Fashion writer Nadine Coledo has recently completed a book titled The Hermès Scarf:  History and Mystique.

 

 

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Mark Twain letters

on Friday, 04 November 2011.

 twain2On November 19th we will be offering two Mark Twain letters to Mrs. A. Reeves Jackson along with 1867 photographs of Mark Twain, Dr. and Mrs. A Reeves Jackson, and an extensive collection of Mark Twain memoriabilia.  Mrs. A. Reeves Jackson was the wife of Twain's good friend Dr. Abraham Reeves Jackson.  In 1867 Twain sailed on a cruise of the "Quaker City" as a reporter providing coverage for the "Alta California."  Jackson was serving as the ship's doctor and was featured as a character in Twain's subsequent book "The Innocents Abroad."  The cruise was also the site where the future Mrs. Jackson met both Twain and Dr. Jackson.  Julia Newell Jackson was a reporter prior to her marriage in 1871, and she was also on board providing coverage for a sponsoring newspaper. 

 
Dr. Jackson died in 1892 and in a letter on Villa Viviana Settignano (Florence) stationery dated January 14, 1893 Twain offers his condolences to Mrs. Jackson:
"Jan. 14/93.
My Dear Mrs. Jackson:
A long-wandering newspaper has reached me with the heavy news of your calamity and mine.  Yours is infinitely greater than mine, it is true, and yet the work does justly, in its proper degree, describe what this loss is to me; for it cuts short an intimate + most valued friendship of a quarter of a century, + removes from my narrowing circle one whom I sintwain1cerely loved, + whose place none can fill as he filled it.
I offer you my deepest sympathy in your sorrow,  that is all that any friend can do for there is no healing it.
Your friend, sincerely
SL Clemens"
 
The other letter reads:
"The Langham Hotel
July 7
My Dear Mrs. Jackson:
I am very sorry to miss seeing you, but my wife and I leave town tomorrow to be gone a week + possibly ten days; that is to say I shall be gone about ten days, though we are not sure but that she will return at the end of a week.  You do not give your number at the Inns of Court, so I must "chance" this finding you.  Should you remain here longer than the "3 or 4" days" will you send a line to the Langham?
Yours Truly,
Samuel L. Clemens."
 
This letter is undated but has been attributed to the summer of 1873 in an article by Aileen S. Walls of George Mason University also included in this lot.  The two letters are also being sold along with Julia Newell Jackson's ship's passage and itinerary on the "Quaker City," a list of passengers, and photographs of passengers on the "Quaker City," including pictures of Twain, Julia Newell Jackson, and Dr. Jackson.  They are printed "Constantinople" on the back.  Aileen Wells' article identifies Twain referring to what may be his photograph in a letter to Emma Beach:  "Those Constantinople pictures were very bad, though, I might almost as well send you a photograph of the Sphynx--it would look as much like me."  Also included is an extensive collection of Twain memorabilia including a 1942 bill of sale for a portion of the items in this lot indicating that they originally came from the daughter of Mrs. A. Reeves Jackson.  The memorabilia includes a scholarly article titled "Mark Twain and Dr. Jackson" by Aileen S. Walls at George Mason University in Fairfax, Virginia that drew on information included in the two letters, Samuel Clemens-related newspaper clippings, and handwritten research notes.

 

UVA Game Board

on Thursday, 03 November 2011.

     In our November 62297 view 0219th Antique and Fine Art Auction we will be offering a unique historical artifact from the University of Virginia.  Lot 1186 is a 19th century folk art game board from the University of Virginia's Alpha Tau Omega  Fraternity Delta Chapter.  The board is colorfully painted and marked on the verso with UVA and the symbols for the fraternity.  The game board is 15 3/4" high, 18 1/2" wide, 1" deep and has a $500-1000 auction estimate.62297 view 05

     The Alpha Tau Omega fraternity is one of the very oldest at the University of Virginia.  It was established there in November of 1868.  The very first chapter was founded three years earlier in September 1865 at the Virginia Military Institute.  The Southern states lost all 142 of their fraternity chapters during the Civil War.  Alpha Tau Omega was started by a Civil War veteran and VMI student named Otis Allan Glazebrook.  Part of Glazebrook's VMI duties included processing mail intended for the Superintendant General Francis H. Smith, and he was struck by a letter from a Northern fraternity asking for help restoring its Southern chapters.  Glazebrook envisioned the creation of a new national fraternity including men from both the North and South as a way to help heal the nation just beginning to recover from the Civil War.  Many of the future members would be young men who had recently fought against each other in battle and were now finally returning to their collegiate studies.  Glazebrook founded Alpha Tau Omega in his Richmond home along with cofounders Alfred Marshall and Erskine Mayo Ross.  Alpha Tau Omega has grown today to more than 250 chapters and 200,000 members.  Glazebrook later became friends with President Woodrow Wilson and served as a US Consul abroad.

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Gertrud Kudielka

on Thursday, 13 October 2011.

 

We have a number of ceramic figures by Gertrud Kudielka in our Oct. 15th Modern Auction.  Gertrud Kudielka (1896-1984) was a talented artist with a harrowing personal history.  She was born in Bohemia and began working at Hjorth Pottery on the Danish island of Bornholm in 1930. After suffering persecution from both Nazis and communists during World War II, Kudielka was able to return to her creative work at Hjorth in 1949.  Kudielka's sweet, peaceful figures belie the experiences she endured.
H0101-L24483820  H0101-L24483806 H0101-L24483816

Bjorn Wiinblad

on Sunday, 02 October 2011.

Bjorn Wiinblad

Bjorn Wiin3330-77_3blad (1918-2006) was an influential and prolific Danish designer. Wiinblad was born in Copenhagen and trained at the city’s Royal Academy of Arts. His designs frequently featured smiling figures in old-fashioned garb rendered in a delicate linear style. Heavily inspired by folktales (even producing illustrations for a Hans Christian Anderson fairy tale), his work retained hints of folk culture’s whimsy and strangeness.

Wiinblad was most closely associated with Rosenthal Porcelain and Nymolle Fajance Fabrik. Over his career he created a dizzying array of ceramics, textiles, illustrations, set designs, paintings and posters.

Additional Bjorn Wiinblad resources:

Designer profile at Dwell Magazine http://www.dwell.com/people/Bjorn-Wiinblad.html

Rosenthal Porcelain’s biography http://www.rosenthalusa.com/1288d808/WIINBLAD_Bj%F8rn.htm

Charley Harper

on Sunday, 02 October 2011.

Charley Harper’s bright, cheerful artwork depicts the natural world with crisp linear joy. His designs are known for their whimsy and graphic angular compositions. Born in West Virginia in 1922, Harper trained at the Art Academy of Cincinnati and studied color theory with visiting professor Josef Albers. He fell in love with a fellow art student named Edith McKee and after both interrupted their studies to aid the war effort, the pair married in 1947.3365-38_4

Upon graduation Harper started working at Schaten Studio where he learned how to silkscreen and gained fluency creating boldly linear commercial art designs. Harper’s commercial work included illustrations for The Golden Book of Biology, Betty Crocker’s Dinner for Two cookbook, and a series of covers for the Ford Times Magazine. The popularity of his illustrations spurred the creation of a silkscreen business and Harper continued to draw wildly imaginative nature designs for the rest of his life. Ironically, Harper preferred to mainly work indoors using guidebooks as visual references. Many of his illustrations included a deadpan accompanying essay inspired by the writings of E.B. White. His commissions included posters for the National Park Service as well as many wildlife conservation groups.

In an interview cited in 1977 promotional literature for the Frame House Gallery, Harper described his style: “When I look at a wildlife or nature subject, I don’t see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe….

I don’t try to put everything in, I try to leave everything out….

Remember that I didn’t start out to paint a bird – the bird already existed. I started out to paint a picture of a bird, a picture which didn’t exist before I came along, a picture which gives me a chance to share with you my thoughts about the bird. Once you accept this seemingly simplistic but really quite profound premise, you will appreciate the many varied approaches to the making of pictures, all of which start where realism leaves off, but all of which require an understanding of realism for their successful execution.”

Harper3365-39_6 passed away on June 10, 2007. His work has received renewed critical acclaim and is the subject of a recent monograph by designer Todd Oldham titled Charley Harper: An Illustrated Life.

Additional Charley Harper Resources:

The Harper family website

A 2006 interview with the artist

A 2011 article about Harper’s life and work with photographs of his studio